The exhibition creates a fragmented narrative of today’s digital contemporary landscape. In this landscape, Aitken's works are signposts, making the viewer pause, stop and evaluate their surroundings
Through image, forms, and sound, the artworks conceptualize the idea of a current world that is completely kinetic and synchronized, yet at other times a landscape that’s vastly isolating.
Entering the first room of the gallery, NEW ERA creates a hexagonal space of alternating mirrors and projections, which take the 1973 invention of the very first cellular telephone by Martin Cooper as a starting idea. The narrative within this work disintegrates and abstracts, mirroring how the diametrically opposed notions of connectivity and freedom have been underlined in this paradigm-shifting moment in history.
In the second room, the viewer steps directly into 3 Modern Figures (don’t forget to breathe), an installation of three human figures resting on a raw wooden floor. These are not heroic figures but a candid snapshot of modern individuals frozen as if time had stopped. In the empty core of the sculptures, light emanates and pulses.
In the third darkened room stands a 12-foot rock and concrete sculpture with visual parallels to a brutalist monument, titled Crossing the Border. The slab of stone and concrete is cut in the shape of a silhouetted image of Gandhi. Echoing in the large room we hear patterns of dripping water, the water appearing out of openings in the rock figure.
Connecting three works in the sequence of three rooms, this exhibition starts with the invention of the cellular phone, reflects the way humans are both in and out of sync in this age of technology and ends with Crossing the Border.
The artworks are Courtesy of the Artist, 303 Gallery, New York, and Galerie Eva Presenhuber Zurich/New York.
The exhibition will open in connection with Beijing Gallery Weekend 2019.